The Hawk will never be a Hall of Fame GM |
In
fact, I think the latter concept will upset certain people more than the demise
of Willis Tower as the officially-recognized tallest building on any level.
HARRELSON
FIRST BEGAN his association with the White Sox in 1982. He had a few years away
from the team in the late 1980s, but then came back and has been in place in the
broadcast booth for the more than two decades since.
Yes,
he’s a homer – as in he actually makes it clear he wants the White Sox to win.
Which
ticks off that element of Chicagodom that roots for the Cubs and thinks that
the White Sox aren’t entitled to have anyone root for them.
He
has his share of sayings and clichés that he has developed throughout the
years, but it also more than capable of going silent for batters at a time when
the White Sox play so badly on the field that he seems to follow the old
saying, “If you can’t say something nice, say nothing at all.”
HARRELSON
IS NOT someone that people are neutral over. The people who can’t stand him
really feel strongly about it.
So
the idea that Harrelson is among 10 finalists for the Ford Frick Award – given
each year by the Baseball Hall of Fame in Cooperstown, N.Y., to honor a
baseball broadcaster for the entirety of his (or her) career – is something
that will get them all worked up.
Your view if the Hawk is a fashion palate |
“How
dare anyone say that baseball’s absolute worst broadcaster ever be worthy of
being allowed anywhere near the Hall of Fame?!?,” they will scream from the top
of their voices.
Some
of them are going to make the oft-used argument that getting the Frick Award is
NOT the equivalent of being elected to the Hall of Fame. Harrelson isn’t a Hall
of Famer, no matter what he claims!
EXCEPT
THAT THE Frick Award has become a significant career achievement for those
involved in broadcasting baseball. Past recipients include our city’s radio and
television legends such as Bob Elson, Jack Brickhouse and Harry Caray.
Does
Harrelson deserve to be compared to them?
Personally,
I view the fact that Harrelson is up for this honor and has had such a lengthy
career as the evidence of how baseball broadcasting has changed.
We
don’t have professional broadcasters any longer. Now, the broadcasters are the
former ballplayers whom the ball clubs don’t view as worthy of a managerial or
coaching post.
HARRELSON
IS A 1960’s era ballplayer who will forevermore live off the glory of the 1967
American League champion Boston Red Sox (remember the team that won, in part,
because the White Sox totally collapsed against the last-place Kansas City
Athletics in the final weekend of the season)?
Just
like the Cubs currently are looking at a batch of former ballplayers to replace
Keith Moreland in their local broadcasts. Moreland, of course, being of the
Cubs team that blew it in the playoffs in 1984.
Personally,
my own attitude about Harrelson’s ability is that he may well be one of the
best broadcasters in the game today – because the quality is so low. Like Mike
Royko used to say that calling him the best newspaper columnist didn’t amount
to much because it compared to being the “tallest midget in the circus.”
There
are a lot of broadcasters doing baseball today because they were once capable
of hitting .260 or fielding ground balls without bobbling too many of them.
IT’S
NOT A great field of talent, so naturally Harrelson’s enthusiasm stands out.
And
most important, the reality of the Ford Frick Award is that once a broadcaster
gets nominated as a finalist, he tends to remain a finalist in future years
until the powers-that-be determine that it’s eventually his turn to get the big
prize.
It
may not happen this year (which is Harrelson’s second time on the ballot), but
it is likely to come someday that “Yessssssssssssss!,” the Hawk will be in the
Hall. It certainly won’t be for his brief stint as a baseball general manager.
He’ll
probably give one heck of an entertaining acceptance speech. And the masses who
think everybody ought to be a Cubs fan will gag in disgust – probably even more
so than they did eight years ago when the Sox took the World Series, long
before they could ever dream of doing so.
-30-
EDITOR’S
NOTE: Ken Harrelson even has his own theme music. The Val Perry Trio gave us “Don’t
Walk the Hawk” back at the peak of his ’67 Red Sox popularity. And yes, it
definitely is a period piece, as cheesy as anything the 1910 Fruitgum Company
ever did.
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